LIST OF MOST IMPORTANT, OR MOST INFLUENTIAL, OR AT LEAST MOST INTERESTING COMPOSITIONS AND RELEASES BETWEEN 1959 AND 1979.
This chronology is built upon lots of sources (to name thankfully the most important one: Piero Scaruffi´s great webside), and of course on my own subjective preferences. It´s not accomplished. Suggestions are welcome.
1959
LA MONTE YOUNG, Foundation of Fluxus movement
MORTON SUBOTNICK, TERRY RILEY, PAULINE OLIVEROS, Foundation of the "Tape Music Center" San Francisco
GIACINTO SECLSI, Quattro Pezzi su una nota sola (Alteration in all manners)
MAURICIO KAGEL, Transicion II (the first piece to call for live tape recorder as part of performance. The work was realized in Cologne. Two musicians perform on a piano, one in the traditional manner, the other playing on the strings and wood. Two other performers use tape recorders so that the work can unites its present of live sounds with its future of pre-recorded materials from later on and its past of recordings made earlier in the performance)
TEIJI ITO, Meshes for the Afternoon (Soundtrack)
JOHN FAHEY, Blind Joe Death
CARL ORFF, Oedipus der Tyrann
MILES DAVIS, Kind Of Blue (Columbia) (Cool Jazz)
BO DIDDLEY, Go Bo Diddley (Checker)
ORNETTE COLEMAN, The Shape of Jazz to come (one of the first avant-garde jazz albums)
CHARLES MINGUS, Mingus Ah Um
THELONIOUS MONK, Thelonious Himself (includes Round Midnight)
WOLF VOSTELL, TV dé-coll/ages (electronic Fluxus work inspired by Stockhausen)
THE STAPLE SINGERS, Uncloudy Day (Vee Jay Records) (Gospel)
1960
JOHN CAGE, Cartridge Music (live, indeterminant electronics)
PIERRE BOULEZ, Pli selon pli
GYÖRGY LIGETI, Atmospheres (tone mass)
IANNIS XENAKIS, Orient-Occident (electronic, twocanal tape)
IANNIS XENAKIS, Herma, für Klavier
KRYSZTOF PENDERECKI, Threnody for the victims of Hiroshima (52 strings)
LUIGI NONO, Intolleranza
LUIGI NONO, Omaggio a Emilio Vedova
ORNETTE COLEMAN, Change of the Century (Atlantic)
ORNETTE COLEMAN, Free Jazz: A Collective Improvisation
LA MONTE YOUNG, Compositions 1960
JOHN COLTRANE, Giant Steps
ERIC DOLPHY, Out there
MAX ROACH, We insist!- Freedom Now
BERNARD HERMANN, Psycho (Soundtrack)
JOE MEEK, I hear a New World - an Outer Space Music Fantasy
1961
BENJAMIN BRITTEN, War Requiem
JOHN CAGE, Music for Carillon 4
LUCIANO BERIO, Visage (extended vocal techniques and electronics)
PAULINE OLIVEROS, Sound Patterns (extended vocal techniques)
KRZYSZTOF PENDERECKI, Threnody for the Victims of Hiroshima (52 strings)
GIL EVANS, Out Of The Cool (Impulse)
BILL EVANS, The Village Vanguard Sessions/Move from the Vanguard (Milestone)
OLIVER NELSON, Blues and the Abstract Truth (Impulse)
JIMMY GUIFFRE, Fusion (chamber free jazz)
HOWLIN WOLF, Rocking Chair
THE TOKENS, The Lion Sleeps Tonight (uses operatic singing, Neapolitan choir, yodel, proto-electronics)
ROGER REYNOLDS, ROBERT ASHLEY & GORDON MUMMA, Organization of the first ONCE festival of avantgarde music at Ann Arbor (Michigan)
LA MONTE YOUNG, Creation of the "dream house", where the environment is part of the music
CECIL TAYLOR, New York City R&B
LEE KONITZ, Motion (Verve)
ROBERT MORRIS, Box With The Sound Of Its Own Making
1962
MILTON BABBITT, Ensembles for Synthesizer (1962-64)
IGOR STRAVINSKY, A Sermon, a Narrative, and a Prayer
BOOKER T & THE MG'S, Green Onions (Stax)
THE BEACH BOYS, Surfin´Safari
LENNIE TRISTANO, The New Tristano (Solo with no overdubbing)
DUKE ELLINGTON, Money Jungle
JOE HARRIOTT, Abstract (Jamaican-british alto sax/ Free Jazz)
1963
MORTON FELDMAN, Christian Wolff in Cambridge (obscured structure)
JOHN CAGE, Variations IV (electronic collage for an art exhibit opening)
LUC FERRARI, Hétérozygote (musique anecdotique)
HARRY PARTCH, And on the Seventh Day Petals Fell in Petaluma (chamber)
CORNELIUS CARDEW, Treatise (1963-67)
LOU HARRISON, Pacifika Rondo („around the circle of the Pacific“)
CHARLES MINGUS, The Black Saint And The Sinner Lady (Impulse)
LA MONTE YOUNG, Sunday Morning Blues
THE WILDE FLOWERS, the beginning of the Canterbury school
MARVIN GAYE, Can I get a witness (anthem of british mod)
PIERRE HENRY, Rock Electronique
THE BEATLES, Please, Please Me (debut)
JACKIE MCLEAN, Destination Out!
CHARLES MINGUS, Mingus, Mingus, Mingus, Mingus, Mingus
1964
ROBERT MOOG, sells the first Moog synthesizer
KARLHEINZ STOCKHAUSEN, Mikrophonie I (1st „live electronic music“)
HARRY PARTCH, And on the Seventh Day Petals Fell in Petaluma (new instruments and intonation)
IGOR STRAVINSKY, Elegy for JFK
LUIGI NONO, La fabbrica illuminata (4-track-Tape and sopran solo)
TERRY RILEY, In C (first minimal music)
LA MONTE YOUNG, The Well-Tuned Piano (just intuned piano, minimal)
TONY CONRAD, Four Violins (released 1997) (new musical language of buzzes, rasps, and flutters)
EZZ RECO & THE LAUNCHERS, King Of Kings (Columbia)
ALBERT AYLER TRIO, Spiritual Unity (ESP) (free avantgarde forms)
THE KINGSMEN, Louie Louie (Scepter/Wand/Forever) (Garage Rock)
ERIC DOLPHY, Out To Lunch! (with Freddie Hubbard and Bobby Hutcherson)
VARIOUS ARTISTS, A Collection Of 16 Tamla Motown Hits (Tamla Motown)
BOB DYLAN, Mr Tambourine Man (begin of psychedelic music)
THE ROLLING STONES, The Rolling Stones (debut)
OTIS REDDING, Pain in My Heart
NINA SIMONE, Nina Simone in Concert
CECIL TAYLOR, Unit Structures
ANDREW HILL, Point of Departure (complicated time-signature changes and angular movements)
1965
BERND ALOIS ZIMMERMANN, Die Soldaten
WITOLD LUTOSLAWSKI, Second Symphony („limited aleatoricism“)
JOHN CAGE, Rozart Mix (electronic collage)
GYÖRGY LIGETI, Requiem (tone mass micropolyphony)
IANNIS XENAKIS, Terretektorh, für 88 Musiker im Publikum verteilt
STEVE REICH, It´s gonna rain (1st phase minimalism)
STEVE REICH, Come Out
HARRY PARTCH, Delusion of the Fury (1965-66) (last work)
SUN RA, The Heliocentric Worlds of Sun Ra, Volume One
ROBBIE BASHO, Seal of the Blue Lotus
THE KINKS, The Kink Kontroversy (Pye)
JAMES BROWN, Papa's Got A Brand New Bag (King 45) (Funk)
BOB DYLAN, Highway 61 Revisted (Columbia)
JOHN MAYALL & THE BLUESBREAKERS, Bluesbreakers (invents Blues-Rock)
THE BYRDS, Mr Tambourine Man (Folk rock, Eight Miles High invents raga-rock)
THE BEATLES, Rubber Soul
THE WHO, My Generation
THE FUGS, The Village Fugs
ARCHIE SHEPP, Fire Music (hommage to Malcolm X)
JOHN COLTRANE, Ascension
BOBBY HUTCHERSON, Dialogue (vibraphone meets avantgarde)
HERBIE HANCOCK, Maiden Voyage
LOWELL DAVIDSON, Lowell Davidson Trio (ESP Disk)
WILLIAM BURROUGHS, Call me Burroughs (ESP Disk / reading extracts)
1966
GYÖRGY LIGETI, Lux Aeterna (Choir a capella)
HANS WERNER HENZE, Die Bassariden (Opera)
CORNELIUS CARDEW, AMMMUSIC — Cardew as an improviser
THE BEACH BOYS, Pet Sounds
THE BEATLES, Revolver
FRANK ZAPPA, Freak out!
THE ROLLING STONES, Aftermath
THE FUGS, The Fugs (Virgin Forest experiments with collage, tapes and world-music)
BOB DYLAN, Blonde on Blonde (first double record and the first concept album of rock music)
THE 13TH FLOOR ELEVATOR, The Psychedelic Sound Of
PAUL BUTTERFIELD, East-West (jam that fuses Afro-American and Indian improvisation)
JEAN JACQUES PERREY & GERSHON KINGSLEY, In Sound From Way Out (electronic pop)
FRANK ZAPPA, Absolutely Free (first Rock Opera)
RED CRAYOLA, Parable Of Arable Land (turns psychedelic rock into abstract sound-painting)
THE INCREDIBLE STRING BAND, 5,000 Spirits (introduces medieval and middle-eastern music into rock and roll)
THE SONICS, Boom (Garage Rock, Proto-Punk)
TIM BUCKLEY, Tim Buckley
SONNY ROLLINS, East Broadway Run Down
MAX ROACH, Drums Unlimited (several tracks that are entirely drums solos)
CECIL TAYLOR, Conquistador
ALEXANDER VON SCHLIPPENBACH, Globe Unity
THE SONIC ARTS UNION, founded by Gordon Mumma, Robert Ashley, Alvin Lucier, and David Behrman
HERBIE HANCOCK, Blow-Up (Soundtrack)
1967
JOHN CAGE, Musicircus (simply invites the performers to assemble and play together)
GYÖRGY LIGETI, Lontano, large orchestra
KARLHEINZ STOCKHAUSEN, Hymnen (electronic collage)
HARRISON BIRTWISTLE, Punch and Judy (Opera)
GEORGE CRUMB, Echoes of Time and the River
TORU TAKEMITSU, November Steps (alternates biwa, shakuhachi and orchestra)
THE BEATLES, Sergeant Pepper's Lonely Heart's Club Band
MORTON SUBOTNICK, Silver Apples of the Moon (Nonesuch)
PIERRE HENRY, Messe pour le temp present (rock mass that mixes symphonic, rock and electronic instruments)
MAURICIO KAGEL, Staatstheater.Szenische Komposition (controvers musictheater)
LUC FERRARI, Presque rien No. 1 "Le Lever du jour au bord de la mer"
NAM JUNE PAIK, Opera Sextronique (Charlotte Moorman´s topless cello performance)
ALVIN LUCIER, North American Time Capsule (use of a prototype vocoder in real time)
JOHN COLTRANE, A Love Supreme (Impulse)
GLOBE UNITY ORCHESTRA, Globe Unity 67 (Fusion of Brötzmanns and Schlippenbachs groups, feat. Jaki Liebezeit)
FRANK ZAPPA & THE MOTHERS OF INVENTION, We're Only In It For The Money (Zappa)
JIMI HENDRIX, Axis Bold As Love (Polydor)
THE VELVET UNDERGOUND, The Velvet Underground and Nico
COUNTRY JOE & THE FISH, Electric Music for the Mind and Body (agit-prop)
THE GRATEFUL DEAD, Grateful Dead (Psychedelic Rock)
JEFFERSON AIRPLANE, Surrealistic Pillow (Psychedelic Rock)
THE ROLLING STONES, Their Satanic Majesties Request
THE FUGS, Virgin Fugs
THE DOORS, The Doors
LOVE, Da Capo (features a side-long track, Revelation)
PINK FLOYD, The Piper at the gates of Dawn (debut)
THE ELECTRIC PRUNES, Mass in F Minor
SLY AND THE FAMILY STONE, A whole new thing (bassist Larry Graham invents the "funk" bass lines)
CAETANO VELOSO, Domingo (founds the "tropicalismo" movement)
ARETHA FRANKLIN, I never loved a Man ( (The Way I Loved You)
ISAAC HAYES, Hot Buttered Soul
1968
MORTON FELDMAN, False Relationships and the Extended Ending
LUCIANO BERIO, Sinfonia (collage)
BENJAMIN BRITTEN, The Prodigal Son
HANS WERNER HENZE, Das Floß der Medusa (Requiem for Che Guevara)
PETER BRÖTZMANN, Machine Gun
ANTHONY BRAXTON, For Alto
SLY AND THE FAMILY STONE, Dance To The Music (Epic)
THE BEATLES, The Beatles (White Album)
JOHN MAYALL, Blues from Laurel Canyon
THE VELVET UNDERGOUND, White Light/White Heat
THE CREAM, Wheels of Fire
JIMI HENDRIX, Electric Ladyland
THE SOFT MACHINE, The Soft Machine
VAN MORRISON, Astral Weeks
WALTER CARLOS, Switched On Bach
JOHN LENNON & YOKO ONO, Unfinished Music No.1: Two Virgins (Tape loop)
LALO SCHIFRIN, Bullitt (Soundtrack)
THE UNITED STATES OF AMERICA, The United States of America (Psychedelic Rock)
BLUE CHEER, Vincebus Eruptum (Proto Metal, Hell´s Angels Party Stomper)
1969
JOHN CAGE & LAJAREN HILLER, HPSCD (interactive music)
MORTON FELDMAN, Between Categories
IANNIS XENAKIS, Persephassa (6 hexagonal percussion sets/antistatic space experience)
BERND ALOIS ZIMMERMANN, Requiem für einen jungen Dichter
TERRY RILEY, A Rainbow in curved air / Poppy Nogood and the Phantom band
CONLON NANCARROW, Studies
ALVIN LUCIER, I am sitting in a room (repeated re-recordings of himself narrating a text)
PETER MAXWELL DAVIES, Eight Songs for a Mad King
ART ENSEMBLE OF CHICAGO, A Jackson in Your House
DON CHERRY, Mu
CECIL TAYLOR, The Great Concert of Cecil Taylor
SUN RA, Atlantis
CHARLIE HADEN, Liberation Music Orchestra
PHARAOH SANDERS, Karma
CAN, Monster Movie
SILVER APPLES, Contact
THE VELVET UNDERGOUND, White Light/White Heat (MGM)
CAPTAIN BEEFHEART & THE MAGIC BAND, Trout Mask Replica (Straight/reissued Reprise)
THE BEATLES, Abbey Road
THE ROLLING STONES, Let It Bleed (London/Decca)
MC 5, Kick Out The Jams
THE STOOGES, The Stooges (Elektra)
JONI MITCHELL, Clouds (2nd)
SCOTT WALKER, Scott 3 (Philips)
TIM BUCKLEY, Happy Sad (fuses folk and free-jazz)
KING CRIMSON, In the Court of the King Crimson (Progressive Rock)
LED ZEPPELIN, Led Zeppelin
1970
JOHANNES FRITSCH, ROLF GELHAAR, DANIEL JOHNSON, Foundation of Feedback Studio of Cologne, first german publisher house run by composers
MORTON FELDMAN, The Viola in My Life I-II
STEVE REICH, Four Organs
GEORGE CRUMB, Black Angels, Thirteen images from the dark land (string qrt.)
CHARLES DODGE, Earth´s Magnetic Field (Columbia-Princeton Electronic Music Center 1961-73)
VARIOUS WHALES, Songs Of The Humpback Whale (Capitol)
DEREK BAILEY, Iskra 1903 (Guitar/ Free Improvisation)
THE SOFT MACHINE, Third (peak of British jazz-rock)
MILES DAVIS, Bitches Brew (first Fusion)
ART ENSEMBLE OF CHICAGO, Les Stances A Sophie
CAN, Soundtracks
KLUSTER, Klopfzeichen
AMON DÜÜL II, Yeti
YOKO ONO, Yoko Ono/Plastic Ono Band
NEIL YOUNG, After the Goldrush
THE METERS, Look A Py Py (Josie)
THE STOOGES, Funhouse (Elektra)
BLACK SABBATH, Black Sabbath (prototype for black metal and doom metal)
LED ZEPPELIN, III
CURTIS MAYFIELD, Curtis
FUNKADELIC, Funkadelic
THE LAST POETS, The Last Poets
1971
STEVE REICH, Drumming
MORTON FELDMAN, Rothko Chapel (static blocks of sound, analogues of Rothko's paintings)
MAURICIO KAGEL, Exotica – Für außereuropäische Instrumente
CORNELIUS CARDEW, The Great Learning Paragraphs 2 and 7
PHILIP GLASS, Music In Twelve Parts (Venture, recorded 1989)
GAVIN BRYARS, Jesus´Blood Never Failed Me Yet (based on one loop)
TANGERINE DREAM, Alpha Centauri
FAUST, Faust
KEVIN AYERS, Shooting at the moon
MAHAVISHNU ORCHESTRA, The Inner Mounting Flame
CARLA BLEY, Escalator over the Hill
YOKO ONO, Fly
ALICE COLTRANE, Astral Meditations
CAN, Tago Mago
CARAVAN, In the land of grey and pink
LED ZEPPELIN, Led Zeppelin IV (Atlantic)
ZZ TOP, First Album
LALO SCHIFRIN, Dirty Harry (Soundtrack)
CHICO BUARQUE, Construcao
LEONARD COHEN, Songs Of Love And Hate
SERGE GAINSBOURG, Histoire de Melody Nelson
SLY & THE FAMILY STONE, There´s A Riot Going On
1972
ALFRED SCHNITTKE, 1. Sinfonie (1972-74) („sinfonic Apocalypse“)
RAVI SHANKAR & ALI AKBAR KHAN, In Concert 1972 (Apple)
ANTHONY BRAXTON, Town Hall
ORNETTE COLEMAN, Skies Of America
MILES DAVIS, On The Corner
ANNETTE PEACOCK, I´m the One
CAN, Ege Bamyasi
POPOL VUH, In den Gärten Pharaos
NEU!, Neu!
KLAUS SCHULZE, Irrlicht
JOHN CALE, Paris 1919
NICK DRAKE, Pink Moon
JONI MITCHELL, Ladies Of The Canyon (Reprise)
STEELY DAN, Can't Buy A Thrill (Probe)
VAN DYKE PARKS, Discover America
THE ROLLING STONES, Exile on Main Street
DAVID BOWIE, The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
ROXY MUSIC, Roxy Music
STEVIE WONDER, Innervisions (Tamla Motown)
MARVIN GAYE, Let's Get It On (Motown)
MANU DIBANGO, Soul Makossa (invents Disco music)
1973
LOU HARRISON, La Koro Sutro
TORU TAKEMITSU, Autumn (integrates japanese instruments into orchestral discourse)
MEREDITH MONK, Education of the Girlchild
CAN, Future days
FAUST, The Faust Tapes
TONY CONRAD & FAUST, Outside the Dream Syndicate
NEU!, Neu! 2
PINK FLOYD, Dark Side of the Moon
MIKE OLDFIELD, Tubular Bells
GONG, Radio Gnome Invisible
NEW YORK DOLLS, New York Dolls
BRUCE SPRINGSTEEN, Greetings From Asbury Park, N.J.
BRUCE SPRINGSTEEN, The Wild, the Innocent & the E Street Shuffle
BOB MARLEY, Catch A Fire (Island)
HERBIE HANCOCK, Head Hunters (influential Fusion jazz)
1974
GYÖRGY LIGETI, Le Grand Macabre
KRZYSZTOF PENDERECKI, Als Jakob erwachte aus dem Schlaf, sah er, daß Gott dagewesen war. Er hat es aber nicht bemerkt, für Orchester
WOLFGANG RIHM, Morphonie – Sektor IV
PHILIP GLASS, Music in Twelve Parts
CAN, Soon Over Babaluma (Spoon)
KRAFTWERK, Autobahn
MIKE OLDFIELD, Hergest Ridge
ROBERT WYATT, Rock Bottoms (peak of Canterbury)
HENRY COW, Unrest
THE RESIDENTS, Meet the Residents
BRIAN ENO, Taking Tiger Mountain by Strategy (introduces Postmodernism into rock music)
FRED FRITH, Guitar Solos
IVOR CUTLER, Velvet Donkey
ART ENSEMBLE OF CHICAGO, Fanfare For The Warriors (Atlantic)
BETTY DAVIS, They say I´m different (open sexual attitude)
1975
DMITRI SCHOSTAKOWITSCH, Sonate für Viola und Klavier op. 147 (last work)
JOHN ZORN, Archery (improvisational composition, game theory)
PHILIP GLASS, Einstein on the Beach
BRIAN FERNEYHOUGH, Transit
BRIAN ENO, Another Green World (EG)
GRUPO FOLKLORIO Y EXPERIMENTAL NUEVAYORQUINO, Concepts In Unity (Salsoul)
PATTI SMITH, Horses (Arista)
BOB DYLAN, Blood on the Tracks
LOU REED, Metal Machine Music (pure noise)
NEIL YOUNG WITH CRAZY HORSE, Zuma (with Cortez the Killer)
KEITH JARRETT, The Köln Concert
LEE SCRATCH PERRY, Revolution Dub
1976
STEVE REICH, Music for 18 Musicians (complex minimalism)
ARVO PÄRT, Für Alina (new ascetic style after a long pause)
HENRYK GÓRECKI, Symphony No.3, Symphony of Sorrowful Songs (sacred minimalism)
ANTHONY BRAXTON, Creative Orchestra Music
ART & LANGUAGE / THE RED CRAYOLA, Corrected Slogans (1st Collaboration)
FELA RANSOME KUTI & THE AFRICA 70, Kalakuta Show (Creole)
RICHARD HELL, Blank Generation
THE RAMONES, The Ramones
BLONDIE, Blondie
1977
MORTON FELDMAN, Spring of Chosroes
ARVO PÄRT, Tabula Rasa, Fratres
TORU TAKEMITSU, A Flock Descends into the Pentagonal Garden
VALENTIN SILVESTROV, Silent Songs
CLARA ROCKMORE, The Art of the Theremin
TIM SOUSTER, Swit Drimz (electronic music)
HANS JÜRGEN SYBERBERG, Hitler, A Film From Germany (Soundtrack)
KRAFTWERK, Trans Europe Express (Capitol)
TELEVISION, Marquee Moon
THE CLASH, The Clash (CBS)
THE SEX PISTOLS, Never Mind The Bollocks, Here's The Sex Pistols
SUICIDE, Suicide
WIRE, Pink Flag
NICK DRAKE, Bryter Layter
DAVID BOWIE, Heroes
IGGY POP, Lust For Life
TALKING HEADS, 77
THROBBING GRISTLE, The Second Annual Report (Industrial Records)
AL GREEN, The Belle Album
1978
MORTON FELDMAN, Why Patterns? (breaking down syntax)
JOHN ADAMS, Shaker Loops
GÉRARD GRISEY, Modulations pour trente-trois musiciens (Espaces Acoustiques 1974-85) (Musique spectrale, groupe l’Itinéraire)
DEREK BAILEY, Machine Music (with Fred Frith, Brian Eno, Gavon Bryars)
EVAN PARKER, Monoceros (Incus)
PERE UBU, The Modern Dance (Chrysalis)
DEVO, Q: Are We Not Men? A: We Are Devo!
GANG OF FOUR, Damaged Goods
CRASS, The Feeding Of The 5000
KRAFTWERK, Die Mensch Maschine
BRIAN ENO, Ambient 1/Music for Airports
HAROLD BUDD, The Pavillion of Dreams (works composed 1972-75)
JOHN MCGUIRE, Pulse Music III (postminimalism, combines minimalism and serialism)
1979
WILLIAM DUCKWORTH, Time Curve Preludes (minimal piano)
LUIGI NONO, Fragmente - Stille, An Diotima
PETER SCULTHORPE, Requiem, for cello alone
JOHANNES FRITSCH, Der große Gesang (speaker, mezzo-soprano, countertenor, guitar, trombone, amplified percussion, tape)
INGRAM MARSHALL, Gradual Requiem (includes gambuh, javanese poetry)
ANTHONY BRAXTON, Seven Compositions
PUBLIC IMAGE, LTD., Metal Box (Virgin) (mixes new wave and dub)
THE POP GROUP, Y (Radar) (delivers agip-prop anthems in a style that fuses punk-rock, jazz, dub and funk)
GANG OF FOUR, Entertainment!
THE CLASH, London Calling (mixes punk-rock with reggae, ska, funk, blues)
XTC, Drums and Wires
BUZZCOCKS, Singles Going Steady
THE B52´s, The B52´s
THE SPECIALS, The Specials (british Ska Revival)
GÜNTER BABY SOMMER, Hörmusik (1st Solo)
THIS HEAT, This Heat
THE CRAMPS, Gravest Hits
JOY DIVISON, Unknown Pleasures
NURSE WITH WOUND, Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella
CARBARET VOLTAIRE, Mix-Up (Noise)
